With a live selection, click on Select and Refine at the top of the window. Soften and Smooth Selections for a Finishing Touch Hold down Option while moving the handles to break them apart, thus creating a sharp corner at the vector when you adjust the handles. By default, the two handles on a vector point work in tandem. Tip: Hold down Shift while moving a vector handle to lock it along a horizontal, vertical, or 45° angle. You can then click and drag the ends of these handles to direct the curve after the fact, if you need to make adjustments. Click and drag in the direction of a curve and two handles will appear from the vector. You’re making a string of points around an object. Then click another point to connect them. With the Pen tool active, click a point to create a basic vector point. Set a vector precisely on the edge of your object and follow its curves with unequaled smoothness by adjusting the vector handles. The Pen Tool Is Sometimes Mightierįor perfect curves and hard edges, nothing beats the Pen tool. Just zoom in and remove or add to the selection with the Lasso. This is especially useful when the Magic Wand can’t seem to select a specific area. Like with using different Lasso types, use a combination of Magic Wand and Lasso to fine-tune a selection. You can also switch tools completely while the selection is live. Combine Tools to Select Hard-to-Capture Areas
Hold Shift again when setting the starting point of the straight line and it will add that to the total selection when you are finished.
Use the Lasso to draw around the shape where it’s curvy, then hold Shift and hit L to select the Polygonal Lasso. With the selection live, you can switch tools to use multiple techniques. As with the Magic Wand, holding shift will add to the selection as you continue to use the tool. If you have a selection to make that is part curvilinear, and part straight line, you can use multiple tools to capture the shape. Grab a large area with an organic shape using the standard tool, or hold Shift and hit L to cycle through the Lasso, Polygonal Lasso, or Magnetic Lasso. Hit L on the keyboard to activate the Lasso, then free-hand draw at any viewing level you want. but it’s also a fine-tuning tool to get pixel-level accuracy and straight lines. The Lasso is a quick and dirty freehand selection tool. If you’ve selected too much, hold down Option and click the area you want to remove from the selection. To build a total selection hold down Shift and click the next area. If Tolerance is set to 60, the tool will select any pixels with colors up to 60 shades lighter or darker than the original selection. You can also select only pixels touching other pixels of the same value ( contiguous), or all pixels in an image of the same value ( non-contiguous). Use the Tolerance values in the Options toolbar to vary the sensitivity of the tool to pixel color. These let you change how sensitive the wand is to contrast. You just have to use the various, more advanced controls. In this article, I’ll expand on the uses for common tools, giving you an introduction to intermediate selection techniques in Photoshop. Getting better at making selections manually will open a whole new world of techniques and controls that can change how you work forever. With the ways these foundational tools have evolved, we can now do all sorts of things beyond basic photo manipulation. The ability to make and control selections is one of the foundations of the Photoshop program, and what makes it so powerful and popular.
Photoshop was initially built to mimic the techniques photographers use in the darkroom, like customizing the quality of light and exposure time to specific parts of film or prints.
#Magic lasso elements 19 how to#
Learn how to make better, more precise selections by harnessing the power of the Photoshop tools you already know, like Magic Wand and the Pen tool.
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